This book is printed on paper with recycled content. paper) ISBN 978-1-1 (e-book) Series design by Rob Bowden Design Cover image of Clint Eastwood courtesy of the Kobal Collection Columbia University Press books are printed on permanent and durable acid-free paper. Chichester, West Sussex Copyright © David Sterritt 2014 All rights reserved Wallflower Press® is a registered trademark of Columbia University Press A complete CIP record is available from the Library of Congress ISBN 978-0-4 (cloth : alk. R O M E R O : knight of the living dead (second edition) TONY WILLIAMS the cinema of K AT H R Y N B I G E L O W : hollywood transgressor edited by D E B O R A H J E R M Y N & S E A N R E D M O N D the cinema of CLINT EAST WOOD chronicles of america David Sterritt WALLFLOWER PRESS london & new york A Wallflower Press Book Wallflower Press is an imprint of Columbia University Press Publishers Since 1893 New York. C O L I N TAT E the cinema of T E R R Y G I L L I A M : it’s a mad world edited by J E F F B I R K E N S T E I N, A N N A F R O U L A & K A R E N R A N D E L L the cinema of TA K E S H I K I TA N O : flowering blood SEAN REDMOND the cinema of T H E D A R D E N N E B R O T H E R S : responsible realism PHILIP MOSLEY the cinema of M I C H A E L H A N E K E : europe utopia edited by B E N M c C A N N & D A V I D S O R F A the cinema of S A L LY P O T T E R : a politics of love S O P H I E M AY E R the cinema of J O H N S A Y L E S : a lone star MARK BOULD the cinema of D AV I D C R O N E N B E R G : from baron of blood to cultural hero E R N E S T M AT H I J S the cinema of L A R S V O N T R I E R : authenticity and artifice CAROLINE BAINBRIDGE the cinema of W E R N E R H E R Z O G : aesthetic ecstasy and truth BRAD PRAGER the cinema of T E R R E N C E M A L I C K : poetic visions of america (second edition) edited by H A N N A H P A T T E R S O N the cinema of A N G L E E : the other side of the screen (second edition) WHITNEY CROTHERS DILLEY the cinema of S T E V E N S P I E L B E R G : empire of light NIGEL MORRIS the cinema of T O D D H A Y N E S : all that heaven allows edited by J A M E S M O R R I S O N the cinema of R O M A N P O L A N S K I : dark spaces of the world edited by J O H N O R R & E L Z B I E T A O S T R O W S K A the cinema of J O H N C A R P E N T E R : the technique of terror edited by I A N C O N R I C H & D A V I D W O O D S the cinema of M I K E L E I G H : a sense of the real G A R RY WAT S O N the cinema of N A N N I M O R E T T I : dreams and diaries E WA M A Z I E R S K A & L A U R A R A S C A R O L I the cinema of D AV I D LY N C H : american dreams, nightmare visions edited by E R I C A S H E E N & A N N E T T E D A V I S O N the cinema of K R Z Y S Z T O F K I E S L O W S K I : variations on destiny and chance M A R E K H A LT O F the cinema of G E O R G E A. The cinema of CLINT EASTWOOD chronicles of america david sterritt the cinema of CLINT EASTWOOD DIRECTORS’ CUTS Other selected titles in the Directors’ Cuts series: the cinema of J A M E S C A M E R O N : bodies in heroic motion JAMES CLARKE the cinema of I S T VÁ N S Z A B Ó : visions of europe JOHN CUNNINGHAM the cinema of A G N È S VA R D A : resistance and eclecticism DELPHINE BÉNÉZET the cinema of A L E X A N D E R S O K U R O V : figures of paradox J E R E M I S Z A N I AW S K I the cinema of M I C H A E L W I N T E R B O T T O M : borders, intimacy, terror BRUCE BENNETT the cinema of R A Ú L R U I Z : impossible cartographies MICHAEL GODDARD the cinema of M I C H A E L M A N N : vice and vindication J O N AT H A N R AY N E R the cinema of A K I K A U R I S M Ä K I : authorship, bohemia, nostalgia, nation ANDREW NESTINGEN the cinema of R I C H A R D L I N K L AT E R : walk, don’t run ROB STONE the cinema of B É L A TA R R : the circle closes A N D R Á S B Á L I N T K O VÁ C S the cinema of S T E V E N S O D E R B E R G H : indie sex, corporate lies, and digital videotape A N D R E W D E WA A R D & R. Epilogue: ‘If somebody’s dumb enough to ask me…’. Eastwood’s Politics: ‘Leave everyone alone’. Invictus: From John Huston to Jersey Boys. Portrait of the Artist as a Major Player: From Pale Rider to Bird. Any Which Way He Can: From Misty and Harry to High Plains Drifter and The Outlaw Josey Wales. The Rising Star: Clintus, Siegelini, and Company. A Fistful of Movies: Rowdy Yates and the Man With No Name. Pros and Cons: The Case For/Against Clint.
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